FutureDude Entertainment, is a premier source for original and captivating, future-focused adventure stories that span genres, media, and generations.
Jeffrey Morris Founder & CCO
“The best sci-fi is a mirror”
Award-winning writer, director, producer, entrepreneur and production designer Jeffrey Morris was born in Chicago, Illinois. A true Renaissance Man, Morris credits his highly-educated adoptive parents, Mary and Willie Morris, for imparting a deep sense of values and fostering the evolution of amazing future worlds in his imagination. As African-American trailblazers, they taught him that the sky was the limit and the only barriers to success were the ones he imposed on himself.
As a child, Morris attended elementary school in Tempe, Arizona at the tail-end of the Civil Rights Moment and the advent of integration. As one of the only kids of color, this often-challenging foundational experience opened the door to a lifetime of open communication and successful collaboration with diverse individuals from all walks of life.
His father, Willie, was an aeronautical engineer who gave Morris tours of aircraft under construction and took him to see the architecture of Frank Lloyd Wright. He even brought home a poster of an odd-looking airplane attached to a rocket. Morris was blown away to learn all about the Space Shuttle many years before it was launched. These were among numerous transformational experiences during Morris’ youth that piqued his interest in science, exploration, and creativity.
His mother, Mary, was a library clerk by profession. As a stay-at-home-mom, she emphasized literacy and took Morris and his younger sister Rhonda to the local library on a weekly basis throughout their childhood. It was there that he routinely checked out books on space, oceanography, and weather. She also encouraged them to limit their exposure to TV and use their hands though learning to garden and paint.
Morris’ interest in science and the cosmos grew exponentially alongside continually pondering the human condition. As his childhood reality at school was fraught with continual racial conflicts, he was motivated to imagine a better tomorrow by watching science-fiction shows like Star Trek and Space 1999. It was within these stories that he found hope.
Morris credits several teachers for greatly influencing him and encouraging his boundless creativity. Among them are his 1st grade teacher Ms. Ellertson and his 8th grade history teacher Mr. Nelson—both of whom fostered and encouraged his broad pantheon of interests. Morris’ other role models included explorer Jacques Cousteau, scientist Carl Sagan, television pioneer Gene Roddenberry, and film artist Syd Mead. He eventually had the honor of meeting the latter two in person.
Morris also was deeply inspired by sci-fi movies and television during his formative years. Films like 2001: A Space Odyssey, Superman, Close Encounters of The Third Kind, Star Trek: The Motion Picture, Blade Runner and the TV series Battlestar Galactica exponentially expanded his young mind. He researched how they were made and taught himself illustration in order to design spaceships and create his own rudimentary visual effects. Morris shot his first films on Super-8 and eventually moved to digital production.
During his senior year in Urbana, Illinois, Morris began to write and structure elaborate narratives. His first big personal writing project was about a race between nations to develop the first spacecraft to travel at the speed of light—a story he still intends to pursue as a feature film.
After studying film in college, Morris was at a crossroads. He explored settling in either Los Angeles or Minneapolis. He decided upon the latter as it was less saturated with creative competition and also served as a place where he could explore his growing interest in entrepreneurship. To make money while he planned out his creative endeavors, Morris worked as a graphic designer by day and DJ at local night clubs by night. During this period he also explored dance and choreography.
Morris observed that several successful young directors began their careers making music videos. Eager to build his own production company, he called Minneapolis Mayor Don Fraser with the goal of learning how to build a successful Minnesota-based business. Morris assumed he would be directed to the Office of Economic Development.
He was shocked when he received a call from the Mayor himself. Fraser took an interest in Morris and went on to introduce him to key members of the Minneapolis business community. Morris can literally track the course of his career from that day to his current success.
After launching his first company Synthesis in 1990, Morris began working with another of one his heroes—multiple Grammy® award-winner Prince as a dancer/choreographer. He then moved on to directing and producing videos for Paisley Park Studios a few years later.
In 1992, Morris officially broke into screenwriting. His project Utopia, about the first colony on Mars, was optioned by Academy Award Winner® Ridley Scott (Gladiator) two years later. Adding to his Hollywood resume, Morris also collaborated with the writing staff of Star Trek: Deep Space Nine and Star Trek: Voyager and had several stories accepted for further development into episodes.
Morris eventually raised private equity and shot a TV pilot called Endeavour in 1995 about test pilots in the future. It was through this project that he was recruited into education. He taught at Twin Cities schools at the K- 12 level as a licensed Community Expert and used his creative abilities in film and art to bring lofty science down to Earth.
In 1999, he founded a non-profit 501(c)3 called Project Universe which worked extensively with the Science Museum of Minnesota, Minneapolis Planetarium, and International Space University. This led to Morris becoming a contractor with NASA’s Jet Propulsion Laboratory in Pasadena, California. There, he worked in the area of Education and Public Outreach with the Outer Planets Program.
In 2010, Morris launched Morris FutureWorks as a production company that unified his interests in science, media, and business development. In the company’s early years, he developed and patented the Apple iOS app Timesphere and created the graphic novels Slingshot, Venus: Daedalus One, Brainstorm, Parallel Man, and Oceanus.
He continually tracked his professional adventures through futuredude.com. The moniker “FutureDude” stemmed from Morris’ quest to popularize a better view of tomorrow via his expanding brand of humanistic science fiction. The blog was a success—so much so that Morris rebranded the company as FutureDude Entertainment.
Now in 2022, Morris is in pre-production on his film, Persephone. The plausible sci-fi story is set in the mid 22nd Century and features the exploration and colonization of a real planet called Proxima b which orbits the nearest star. The screenplay for the film was recently developed into a novel which Morris has co-written with New York Times Bestselling author Kevin J. Anderson (Dune, The X-Files).
Morris’ previous film credits include the animated world-hopping adventure Parallel Man: Infinite Pursuit (2015) and the futuristic underwater spectacular, Oceanus: Act One (2015)—both to be showcased in 2022 as part of a development deal between FutureDude and Gunpowder & Sky Studios for their sci-fi streaming platform Dust.
Morris attended Southern Illinois University, where he studied film production and political science. He also worked extensively with graduate business programs at the University of Saint Thomas and University of Minnesota Carson School of Management.
From a charitable standpoint, Morris supports The Ocean Institute, SETI, and The Planetary Society.
Anne Marie Gillen President/Producer
Anne Marie nurtures the financial and business relationships that bring FutureDude projects to life. An experienced multi-media business manager, Anne Marie’s credits include co-producer on the hit film Fried Green Tomatoes. From 1996 to 2001, Anne Marie was the Chief Operating Officer of Morgan Freeman’s company, Revelations Entertainment, where she led strategic financing and distribution efforts. In addition to her work with FutureDude, Gillen is a lecturer and executive coach. She’s co-authored two books on motion picture production and financing, including the 3rd edition of The Producer’s Business Handbook published by Focal Press.
Jorge Heredia PRODUCING PARTNER/ACTOR
Award-winning actor, producer, and television host Jorge Heredia was born and raised in Mexico City, Mexico. He began his acting career on television, appearing in the CBS series Touched by an Angel (1994) and then as the host of the Emmy® award winning international variety show ¿Qué Pasa Miami? (1994), which garnered him a PAOLI award.
After the show’s initial success, Hollywood took note of Jorge and cast him in a spectrum of ethnically diverse English speaking characters on both big and small screens. Jorge starred in Promised Land, American Flyboys and several made-for-television movies, all while continuing to host Spanish-language shows for Univision. In 2012, he joined FOX International as a national correspondent for the network’s new Spanish-language channel, Mundo Fox, serving as anchor for Noti-puntos and the host-producer of Lalo y Amigos (2012)
Distinguished by his passion for the entertainment business and creative talents, Jorge began writing and producing various television and film projects in Mexico, co-founding a production company with his friend actor/producer Miguel Hoffman. He’s also passionate about environmental and humanitarian causes, and since 2017 he has served as an ambassador for Earth X and spokesperson for Fossil Rim Wildlife Center.
Maria Reitan Marketing Director
Maria Reitan deploys more than 20 years of strategic communications experience across public relations, advertising, digital, and social engagement. Her client campaigns have been awarded the public relations industry’s highest recognition including the Silver Anvil, Bronze Anvil, PR Platinum, PR Week, Golden SABRE and Minneapolis PRSA. Reitan spent fifteen years in television news as an Emmy Award-winning reporter, news director and producer in Minneapolis, Chicago, Miami, Louisville and both Carolinas. Today, Reitan works with FutureDude Entertainment to expand the company’s profile and overall corporate media presence.
OUR VISION
Founded in 2010 by writer and director Jeffrey Morris, FutureDude Entertainment is a production company that blends dazzling creativity with smart storytelling, and over the past decade our work has attracted passionate followers around the world. Our goal is to rekindle the human spirit of science fiction for a mass audience. By reuniting story, science and imagination, FutureDude creates epic entertainment, designed for film and television, for adventurous souls and inquisitive minds.
IT ALL BEGINS WITH “WHAT IF…?”
Science fiction is about more than entertainment. Visions of the future move our culture forward, propelling us toward the next frontier of invention and creativity. While we inhabit a world inconceivable to those living 100 years ago, we still believe the best days of humanity are ahead of us. But to realize the world of the future, first we have to imagine it. That’s our motivation.
LOOKING BACK TO LOOK FORWARD.
For generations, people have looked to the future and the cosmos for inspiration. For them, their children, and for new audiences, FutureDude creates experiences worthy of their intelligence and their hopes for tomorrow. We unite today’s amazing creative technologies with the character-driven sci-fi ethos of the 1960s and 70s. Like our heroes from Arthur C. Clarke to Stanley Kubrick to Gene Roddenberry, we weave captivating stories that provoke and enlighten as they entertain.
MAKING THE FUTURE MORE REAL.
We believe science offers possibilities even more dazzling than fantasy. So a commitment to realism informs all our work. We collaborate with scientists, engineers and global institutions such as NASA and the European Space Agency to make our stories not only lifelike, but also profoundly plausible. FutureDude creates at the ever-advancing boundary between what is now and what could be tomorrow.
HUMAN STORIES THAT INSPIRE AND ENDURE.
Explosive action and visual effects may crowd the multiplex. But it’s relatable stories that endure after the bombast fades. We are committed to producing media that is socially relevant, diversity-driven, and grounded in human relationships — without excessive violence, negative stereotypes, or simplistic fantasy. We are building legends that will inspire a passionate following for decades to come.